Originally trained as an architect, Tim's long and circuitous road finally
brings him to the role of sound designer. Working largely with
concepts relating space, timbre and timing, his sonic vocabulary
includes all things which could conceivably make sound.
Tim's debut with 29th Street Rep was with 2001's production of
THE LAST BARBECUE. He then designed sound for 29th St Rep's productions
of FOOL FOR LOVE, HIGH PRIEST OF CALIFORNIA, BOLD GIRLS and most
recently HIDING BEHIND COMETS. Timothy has worked with the Abingdon
Theatre Co., Medicine Show Theatre Ensemble, Cherry Lane Alternative
as well as company Sound Designer for the Hypothetical Theatre
Co. where he has designed lots of plays including two by Michael
Weller. In 1999, he debuted Off Broadway designing sound for Mefisto
Theatre Company's production of EAT THE RUNT. Currently he mixes
and designs sound for independent films and dance projects. He
also creates audio environments and sound design for museum exhibits,
television commercials and video productions. Recently completed
projects include sound design for "Good Grief!" an exhibit about
Charles Schultz at the Children's Museum of Manhattan, sound design
for a documentary film "Birdman of JFK" and TV spots for Dell
computers, Dentine Ice, Bacardi Rum, a short lived spot for Coca-Cola
and most recently Unisom Sleep Gels. But the most fun is when
he works in theatre. He usually thanks the software developers
& designers of ProTools and Logic Audio as well as Mark at
TMF Studios.
E-mail Tim
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